PARAFICTION II
(SELECTED WORKS 2017 – 2023)
(in development)


In 2023, Salomé Lamas: Parafiction II (selected works 2017-2023) explores the singularity of Lamas' work that lies in the dialogue of different modes of signification (writing, cinema, video, installation, theatre, performance). The originality of this work, which she has dubbed parafiction, presents a polygraphed nature that ends up providing a large-scale mapping of the contemporary artistic creation understood in its transdisciplinary dimensions, evidence of a research embedded in the present time, but which also frames production processes. The book covers Lamas’ selected works from 2017 to 2023 and includes project notes and production memoirs, contributions by Yaron Dahan, David Perrin, Eric Hynes, Nico Marzano, Sara Magno, Maria Filomena Molder, Pascal Cassagnou, Delfim Sardo, Penelope Curtis, Lars Henrik Grass, Adelina von Furstenberg, Andreea Patru, Michael Sicinski, Matthew Chan, João Laia, Miguel Amado, Emmet Kelley, Frédéric Neyrat, Alba Giménez Gil, Giovanbattista Tusa, Maria Moseng, Boaventura de Sousa Santos.
 

Completed projects: Ubi Sunt I-III, Project 2017 [Ubi Sunt I 2017, Ubi Sunt II 2017, Ubi Sunt III 2017]; Extinction, Project* 2018 [Autoretrato (Self Portrait) 2016/2018, Extinção (Extinction) 2018, Dream World 2018]; Fatamorgana, Project 2016-2019 [Fatamorgana 2017; What do we talk about when we talk about Fatamorgana;  Affektenlehre; Fatamorgana 2018; ©Fatamorgana 2018/19, Fatamorgana 2019], Hangar-Metro-Terminal, Project 2018 [Hangar 2018, Metro 2018, Terminal 2018]; O Corpo, a Sexualidade e o Erótico na Obra de Júlio Pomar (The Body, the Sexuality, and the Erotic in the Work of Júlio Pomar) 2019; Extraction: The Raft of the Medusa, Project 2019-2020 [Extraction: The Raft of the Medusa 2019 (For Interdependence – Cinema and Art Joining Forces to Raise Awareness on The Environment and The Climate Change), Extraction: The Raft of the Medusa 2020, Extraction: The Raft of the Medusa 2020, Extraction: The Raft of the Medusa 2020]; Hotel Royal, Project 2021 [HR 2020, Hotel Royal 2021, Hotel Royal 2022]; Gaia, Project 2021 [What if the Meteorites would talk 2021, Gaia: What if the Meteorites would Talk 2021, Gaia 2021] La Vague (The Wave) 2022.

Projects in production: Gold and Ashes, Project 2024 [Ouro e Cinza (Gold and Ashes) 2024, Gold and Ashes REDUX 2024]; Pantheras 2025.

Excluded projects: O Teatro e a Peste (The Theatre and the Plague), project 2020 [multiple production]; Ação para Isabel depois de Ernesto (Action for Isabel after Ernesto) 2021

*The Tower 2015 and Horizon Noziroh 2017 published in Parafiction I.

To be coherent with her practice means to dwell on the problems of the translator and to accept the vitality of the collector. The works should not be seen in isolation but as a natural biological extension with a clear impact on her life and framework of affections.

Therefore, Parafiction II (selected works 2017-2023) should be understood as an expected continuation of Parafiction I (selected works 2010-2016) and the second volume of a wider collection – Salomé Lamas: Parafiction – that aims at exposing the archaeology of her practice, her matters of concern and her extensive archive. All the books in the collection follow the same editorial structure.

Mousse publishing
Batalha Centro de Cinema

Lamaland

PROBLEMS OF TRANSLATION AND CRITIQUE IN PARAFICTION: ON THE CREATIVE PROCESS AND OTHER PRAGMATISMS

Parafiction II delivers a special edition with an unfinished appendix in the form of a booklet – Problems of Translation and Critique in Parafiction: On the creative process and other pragmatisms that exposes a cosmology of references and experiences addressing innumerous matters of the creative process and other pragmatisms. It was written as a thread of references and citations that were altered, re-edited, re-signified all colliding into sometimes paradoxical directions and therefore, showing an unbalanced style. Autobiographic events and project productions that connect to the practical component of her practice are unveiled along with graphics and drawing framing matters of concern and methodologies.




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