EXTRACTION: THE RAFT OF THE MEDUSA (2020)

Publication, offset printing, format 14 X 26 cm, 128pp., Portugal / Spain
Language: English, Galician, Spanish
Text: Salomé Lamas, Lars Henrik Grass, Isabel Ramos
Design: ilhas Studio
Production and distibution: Estraperlo Editora
Printing: Gráfica Maiadouro
Support: Interseccion – Contemporary Audiovisual Art Festival, Fundación Luís Seoane and Deputación da Coruña


Extraction: The Raft of the Medusa is a multidisciplinary project realised between 2019 and 2020. It comprises four homonymous works, two films, an installation, and a publication.

Extraction: The Raft of the Medusa is a meditation on humanity’s massive redesign of the planet and a dystopian pamphlet on the Anthropocene.

It portrays a moment of euphoria as the drifting occupants on the raft, hoping and praying to be rescued, appear to glimpse a possibility of salvation. We can almost hear the hoarse cries through which they attempt to draw attention to their desperate plight, mustering a final ounce of strength before the void. This is their last chance of survival.

Extraction: The Raft of the Medusa refers to the colonial paradigm, worldview, and technologies that mark out regions of high biodiversity to reduce life to its conversion into a resource through capitalism, with an enormous environmental and social impact.

It is an allegory for states of emergency in environmental policy, climate, and migration, with an ethical-political purpose.

Extraction: The Raft of the Medusa is a publication dedicated to the scope of the project featuring, inedited photographs, 10 texts to the same allegoric image written in dialogue with other authors, project notes and a preface by Lars Henrik Grass.


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© All images are copyright LAMALAND│Salomé Lamas.
Texts copyright Salomé Lamas and the respective authors.